| ¡Adiós Valbanera! | Aljibe | | | 3:30 | strumento |
| ¿Por qué lloras blanca niña? | Rolf Lislevand, Concerto Stella Matutina | | | 7:08 | strumento |
| ...Majnoun | Ensemble Badila | | | 4:22 | strumento |
| 'O let me weep | Emma Kirkby, Richard Campbell, Catherine Mackintosh, Anthony Rooley | | | 6:38 | strumento |
| 'Tis Late And Cold | David Thomas, Trevor Jones, Anthony Rooley | | | 1:50 | strumento |
| 'Tis Nature's Voice; thro' all the moving Wood, from Z328 | Robin Blaze, Elizabeth Kenny | | | 4:15 | strumento |
| 'Tremolo' Fancy (P73) | Nigel North | | | 3:27 | strumento |
| "Con Dolcezza E Pietate" Canzona A Tre Voci, Alto, Tenore E Basso | Girolamo Frescobaldi | | | 1:11 | strumento |
| "Con le luci d'un bel ciglio", 1614 | Montserrat Figueras | | | 1:54 | strumento |
| "Corilla Danzando" (Canzona A Tre Voci, Canto, Alto E Basso) | Girolamo Frescobaldi | | | 0:56 | strumento |
| "Così Mi Disprezzate?" Aria Di Passacaglia (Alto Solo) | Girolamo Frescobaldi | | | 3:07 | strumento |
| "Crown The Altar, Deck The Shrine" | Emma Kirkby, Anthony Rooley | | | 2:29 | strumento |
| "Derrière notre grange" | Les Musiciens de Lviv | | | 3:24 | strumento (come “kobza”) |
| "Dite oihmè" from La fida ninfa, RV 714 | Yo‐Yo Ma, Jonathan Manson, Mike Fentross, Amsterdam Baroque Orchestra, Ton Koopman | | | 2:27 | strumento |
| "Doloroso Mio Core" Canzona A Tre Voci, Alto, Tenore E Basso | Girolamo Frescobaldi | | | 2:13 | strumento |
| "Donna, Siam Rei Di Morte" Sonetto: Basso Solo | Girolamo Frescobaldi | | | 2:59 | strumento |
| "Dunque Dovrò" Aria Di Romanesca (Soprano Solo) | Girolamo Frescobaldi | | | 3:17 | strumento |
| "Eri Già Tutta Mia" Canzona A Due, Canto E Tenore | Girolamo Frescobaldi | | | 3:48 | strumento |
| "Flow My Tears" | Philippe Jaroussky, Thibaut Garcia | | | 4:05 | strumento |
| "Gania, ma Gania" | Les Musiciens de Lviv | | | 2:54 | strumento (come “kobza”) |
| "Have You Seen But a White Lily Grow" | Julianne Baird | | | 4:11 | strumento |
| "j'ai coupé mon petit doigt" | Les Musiciens de Lviv | | | 2:48 | strumento (come “kobza”) |
| "La danza", "La piva", "La gamba" | Sophie Watillon, Hannelore Devaere, Shizuko Noiri | | | ?:?? | strumento |
| "La jeune fillette" | Paul O’Dette | | | 6:59 | strumento |
| "Là-haut, dans les montgnes, deux chênes" | Les Musiciens de Lviv | | | 2:30 | strumento (come “kobza”) |
| "O Dolore" Canzona A Tre Voci, Alto, Tenore E Basso | Girolamo Frescobaldi | | | 1:44 | strumento |
| "O Let Me Weep, For Ever Weep" | Emma Kirkby, Richard Campbell, Catherine Mackintosh, Anthony Rooley | | | 6:36 | strumento |
| "O Mio Cor" Aria A Voce Sola (Alto) | Girolamo Frescobaldi | | | 2:12 | strumento |
| "Oh, que je suis belle" | Les Musiciens de Lviv | | | 4:40 | strumento (come “kobza”) |
| "Oh, voisine, ma voisine" | Les Musiciens de Lviv | | | 2:47 | strumento (come “kobza”) |
| "Ohimè, Che Fur" Sonetto Spirituale In Stile Recitativo (Alto Solo) | Girolamo Frescobaldi | | | 2:36 | strumento |
| "Olinda In The Shades Unseen", Z.404 | Emma Kirkby, Anthony Rooley | | | 1:03 | strumento |
| "Oscure Selve" Canto In Stile Recitativo (Tenore Solo) | Girolamo Frescobaldi | | | 2:31 | strumento |
| "Pavana Doulant" (pub. Mylius, Frankfurt 1622) | John Dowland | | | 3:25 | strumento |
| "Pavana Johan Douland", P 94 | Nigel North | | | 7:00 | strumento |
| "Rós" (Suite for Christmas): Den fagraste rosa | Det Norske Solistkor, Berit Opheim, Rolf Lislevand, Grete Pedersen | | | 3:04 | strumento |
| "Rós" (Suite for Christmas): Den fagraste rosa | Det Norske Solistkor, Berit Opheim, Rolf Lislevand, Grete Pedersen | | | 3:04 | strumento |
| "Rós" (Suite for Christmas): Eit barn er født i Betlehem | Det Norske Solistkor, Bjørn Kjellemyr, Gjermund Larsen, Rolf Lislevand, Grete Pedersen | | | 4:35 | strumento |
| "Rós" (Suite for Christmas): Eit barn er født i Betlehem | Det Norske Solistkor, Bjørn Kjellemyr, Gjermund Larsen, Rolf Lislevand, Grete Pedersen | | | 4:35 | strumento |
| "Rós" (Suite for Christmas): Maria, hun er en jomfru ren | Bjørn Kjellemyr, Gjermund Larsen, Rolf Lislevand | | | 1:11 | strumento |
| "Rós" (Suite for Christmas): Maria, hun er en jomfru ren | Bjørn Kjellemyr, Gjermund Larsen, Rolf Lislevand | | | 1:11 | strumento |
| "Rós" (Suite for Christmas): O frondens virga | Det Norske Solistkor, Rolf Lislevand, Grete Pedersen | | | 2:51 | strumento |
| "Rós" (Suite for Christmas): O frondens virga | Det Norske Solistkor, Rolf Lislevand, Grete Pedersen | | | 2:51 | strumento |
| "Rose rouge" | Les Musiciens de Lviv | | | 3:25 | strumento (come “kobza”) |
| "Se L'Aura Spira" Aria (Tenore Solo) | Girolamo Frescobaldi | | | 1:01 | strumento |
| "Se L'Onde Ohimè" Aria A Voce Sola (Soprano Solo) | Girolamo Frescobaldi | | | 3:50 | strumento |
| "Se M'Amate" Madrigale A Due Voci (Soprano E Tenore) | Girolamo Frescobaldi | | | 1:30 | strumento |
| "Sweeter Than Roses", Z.585 | Emma Kirkby, Anthony Rooley | | | 3:13 | strumento |
| "The Cares Of Lovers" | Emma Kirkby, Anthony Rooley | | | 1:47 | strumento |
| "Ti Lascio" Sopra L'Aria Di Ruggieri (Alro Solo) | Girolamo Frescobaldi | | | 5:04 | strumento |
| "Troppo Sotto" Aria: Basso Solo | Girolamo Frescobaldi | | | 2:51 | strumento |
| "Urge Me No More", Z.426 | Emma Kirkby, Anthony Rooley | | | 3:19 | strumento |
| "Voi Partite Mio Sole" aria: Tenor Solo | Girolamo Frescobaldi | | | 3:18 | strumento |
| "Wachet auf, ruft uns die Stimme" in E-flat major, BWV 645 (transcribed for recorder, viola da gamba and lute) | Stefan Temmingh, Domen Marincič, Axel Wolf | | | 4:13 | strumento |
| "When First Amintas Sued For A Kiss", Z.430 | Emma Kirkby, Anthony Rooley | | | 1:58 | strumento |
| "Ye Gentle Spirits Of The Air" | Emma Kirkby, Anthony Rooley | | | 4:54 | strumento |
| “…And From Thence I Had Great Desire to See Italy…” | Sting & Edin Karamazov | | 2 | 0:29 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden” | Christiane Baumann, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 4:55 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis” | Christiane Baumann, Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:29 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid” | Christiane Baumann, Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 4:15 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt” | Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:39 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen” | Christiane Baumann, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:17 | strumento |
| “Alle stamenge”, canto carnascialesco, CM 133 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Jordi Savall, Sophie Watillon | | | 3:13 | strumento |
| “Amor tu non me gabasti”, barzelletta, CM 23 | Lambert Climent, Carlos Mena, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Jordi Savall, Sophie Watillon | | | 3:39 | strumento |
| “Can She Excuse” | Paul Agnew, Alain Buet, Ruby Hughes, Reinoud Van Mechelen, Thomas Dunford | | | 2:26 | strumento |
| “Chiave, chiave”, toccata instrumental, CM 131 | Josep Borràs, Jean-Pierre Canihac, Richard Cheetham, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle | | | 1:29 | strumento |
| “Collinetto”, ballo, CM 22 | Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall, Sophie Watillon | | | 2:58 | strumento |
| “Come Again” | Paul Agnew, Alain Buet, Ruby Hughes, Reinoud Van Mechelen, Thomas Dunford | | | 4:34 | strumento |
| “Correno multi cani”, strambotto-caccia, CM 140 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Jordi Savall, Sophie Watillon | | | 2:35 | strumento |
| “Dindirindin”, canzon alla villota, CM 127 | Daniele Carnovich, Lambert Climent, Montserrat Figueras, Francesc Garrigosa, Carlos Mena, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Béatrice Delpierre, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall | | | 2:05 | strumento |
| “Flow My Tears” | Alain Buet, Ruby Hughes, Thomas Dunford | | | 4:32 | strumento |
| “Go Cristall Teares” | Paul Agnew, Alain Buet, Ruby Hughes, Reinoud Van Mechelen, Thomas Dunford | | | 3:42 | strumento |
| “I Saw My Lady Weepe” | Paul Agnew, Alain Buet, Thomas Dunford | | | 5:53 | strumento |
| “Je vos pri mon tres”, triple chanson, CM 109 | Lambert Climent, Montserrat Figueras, Francesc Garrigosa, Carlos Mena, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Jordi Savall, Sophie Watillon | | | 5:19 | strumento |
| “Jesu, der du meine Seele”, BWV 78: I. Chorus: “Jesu, der du meine Seele” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 6:28 | strumento |
| “Jesu, der du meine Seele”, BWV 78: II. Aria duetto (soprano, alto): “Wir eilen mit schwachen, doch emsigen Schritten” | Christiane Baumann, Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 5:22 | strumento |
| “Jesu, der du meine Seele”, BWV 78: III. Recitative (tenor): “Ach! Ich bin eine Kind der Sünden” | Vincent Girod, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:24 | strumento |
| “Jesu, der du meine Seele”, BWV 78: IV. Aria (tenor): “Das Blut, so meine Schuld durchstreicht” | Vincent Girod, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 3:30 | strumento |
| “Jesu, der du meine Seele”, BWV 78: V. Recitative (bass): “Die Wunden, Nägen, Kron und Grab” | Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 3:42 | strumento |
| “Jesu, der du meine Seele”, BWV 78: VI. Aria (bass): “Nun du wirst mein Gewissen stillen” | Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 3:19 | strumento |
| “Jesu, der du meine Seele”, BWV 78: VII. Chorale: “Herr, ich glaube, hilf mir Schwachen” | Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:20 | strumento |
| “La fille guillemin”, ballo, CM 6 | Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Béatrice Delpierre, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Jordi Savall, Sophie Watillon | | | 2:04 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. I. Chorus: “Lass, Fürstin, lass noch einen Strahl” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 8:09 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. II. Recitative (soprano): “Dein Sachsen, dein bestürzes Meissen” | Uta Spreckelsen, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:52 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. III. Aria (soprano): “Verstummt, verstummt, ihr holden Saiten!” | Uta Spreckelsen, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 5:57 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. IV. Recitative (alto): “Der Glocken bebendes Getön” | Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:02 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. V. Aria (alto): “Wie starb die Heldin so vergnügt!” | Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 6:18 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VI. Recitative (tenor): “Ihr Leben liess die Kunst zu Sterben” | John Elwes, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:12 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VII. Chorus: “An Dir, du Fürbild grosser Frauen” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:21 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. IX. Recitative - Arioso - Recitative (bass): “Was Wunder ist's?” | Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:41 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. VIII. Aria (tenor): “Der Ewigkeit saphirnes Haus” | John Elwes, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 3:12 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. X. Chorus: “Doch, Königin! du stirbest nicht” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 6:26 | strumento |
| “Lautenbuch des Octavianus Fugger II”: Aria | Charivari Agréable | | | 0:46 | strumento (come “six-course lute”) |
| “Lautenbuch des Octavianus Fugger II”: Aria | Charivari Agréable | | | 2:00 | strumento (come “six-course lute”) |
| “Lautenbuch des Octavianus Fugger II”: O bella | Charivari Agréable | | | 3:09 | strumento (come “six-course lute”) |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. I. Chorus: “Lobet Gott in seinen Reichen” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 4:56 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. II. Recitative (tenor): “Der Herr Jesus hub seine Hände auf” | Vincent Girod, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 0:36 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. III. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?” | Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:01 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. IV. Aria (alto): “Ach, bleibe doch, Mein liebstes Leben” | Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 7:18 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. V. Recitative (tenor): “Und ward aufgehoben zusehends” | Vincent Girod, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 0:30 | strumento |
