Louis Armstrong

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Annotation

15 CDs in Jewel Cases in a cardboard box; CD 3 ("A Monday Date") is missing.

Individual cat#s / barcodes:

CD 4: 204517-202 / 4011222045171
CD 5: 204518-202 / ???
CD 9: 204522-202 / 4011222045225

(Should be fairly consistent for the rest.)

Annotation last modified on 2015-01-14 13:30 UTC.

Tracklist

1▶CD: Gut Bucket Blues
2▶CD: Wild Man Blues
3▶CD: A Monday Date
4▶CD: Mahogany Hall Stomp
5▶CD: Dear Old Southland
6▶CD: When It's Sleepy Time Down South
7▶CD: That's My Home
8▶CD: Swing, You Cats
9▼CD: I Hope Gabriel Likes My Music
#TitleRatingLength
1(Was I to Blame for) Falling in Love With You
recorded in:
New York, New York, United States (on 1935-11-22)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22) and Henry “Moon” Jones (swing era reeds) (on 1935-11-22)
clarinet:
Bingie Madison (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (on 1935-11-22)
writer:
Chester Conn, Gus Kahn and Victor Young (American composer, arranger, violinist & conductor)
3:13
2Red Sails in the Sunset
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13), Henry “Moon” Jones (swing era reeds) (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
Red Sails in the Sunset (on 1935-12-13)
lyricist:
James B. Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:05
3On Treasure Island
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13), Henry “Moon” Jones (swing era reeds) (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
On Treasure Island (on 1935-12-13)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
3:09
4Thanks a Million
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Thanks a Million (on 1935-12-19)
lyricist:
Gus Kahn
composer:
Arthur Johnston (American composer and songwriter)
2:41
5Shoe Shine Boy
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Shoe Shine Boy (on 1934-12-19)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
3:21
6Solitude
recorded in:
New York, New York, United States (on 1935-12-19)
bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
3:03
7I Hope Gabriel Likes My Music
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
I Hope Gabriel Likes My Music (on 1935-12-19)
composer:
Dave Franklin (Tin Pan Alley songwriter)
3:20
8The Music Goes Round and Round
recorded in:
New York, New York, United States (on 1936-01-18)
double bass:
George "Pops" Foster (on 1936-01-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-01-18)
guitar:
Lee Blair (on 1936-01-18)
piano:
Luis Russell (on 1936-01-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-01-18), Henry “Moon” Jones (swing era reeds) (on 1936-01-18) and Bingie Madison (on 1936-01-18)
tenor saxophone:
Greely Walton (on 1936-01-18)
trombone:
Jimmy Archey (on 1936-01-18) and Harry White (jazz trombonist) (on 1936-01-18)
trumpet:
Gus Aiken (on 1936-01-18), Louis Armstrong (on 1936-01-18), Louis Bacon (on 1936-01-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-01-18)
vocals:
Louis Armstrong (on 1936-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-01-18)
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson) (on 1936-01-18)
lyricist:
Red Hodgson (in 1935)
composer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) and Mike Riley (US jazz trombonist & songwriter) (in 1935)
3:20
9Rhythm Saved the World
recorded in:
New York, New York, United States (on 1936-01-18)
bass:
George "Pops" Foster (on 1936-01-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-01-18)
guitar:
Lee Blair (on 1936-01-18)
piano:
Luis Russell (on 1936-01-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-01-18), Henry “Moon” Jones (swing era reeds) (on 1936-01-18) and Bingie Madison (on 1936-01-18)
tenor saxophone:
Greely Walton (on 1936-01-18)
trombone:
Jimmy Archey (on 1936-01-18) and Harry White (jazz trombonist) (on 1936-01-18)
trumpet:
Gus Aiken (on 1936-01-18), Louis Armstrong (on 1936-01-18), Louis Bacon (on 1936-01-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-01-18)
vocals:
Louis Armstrong (on 1936-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-01-18)
recording of:
Rhythm Saved the World (on 1936-01-18)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
3:06
10I'm Putting All My Eggs on One Basket
recorded in:
New York, New York, United States (on 1936-02-04)
alto saxophone:
Phil Waltzer (on 1936-02-04)
clarinet:
Sid Trucker (on 1936-02-04)
double bass:
Pete Peterson (jazz bassist) (on 1936-02-04)
drums (drum set):
Stan King (Big band-era drummer) (on 1936-02-04)
guitar:
Dave Barbour (on 1936-02-04)
piano:
Fulton McGrath (on 1936-02-04)
tenor saxophone:
Paul Ricci (on 1936-02-04)
trombone:
Al Philburn (on 1936-02-04)
trumpet:
Louis Armstrong (on 1936-02-04), Bunny Berigan (on 1936-02-04) and Bob Mayhew (on 1936-02-04)
vocals:
Louis Armstrong (on 1936-02-04)
orchestra:
Louis Armstrong & His Orchestra (on 1936-02-04)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (on 1936-02-04)
lyricist and composer:
Irving Berlin (in 1936)
3:02
11Yes! Yes! My! My!
recorded in:
New York, New York, United States (on 1936-02-04)
alto saxophone:
Sid Trucker (on 1936-02-04) and Phil Waltzer (on 1936-02-04)
double bass:
Pete Peterson (jazz bassist) (on 1936-02-04)
drums (drum set):
Stan King (Big band-era drummer) (on 1936-02-04)
guitar:
Dave Barbour (on 1936-02-04)
piano:
Fulton McGrath (on 1936-02-04)
tenor saxophone:
Paul Ricci (on 1936-02-04)
trombone:
Al Philburn (on 1936-02-04)
trumpet:
Louis Armstrong (on 1936-02-04), Bunny Berigan (on 1936-02-04) and Bob Mayhew (on 1936-02-04)
vocals:
Louis Armstrong (on 1936-02-04)
2:39
12I Come From a Musical Family
recorded in:
New York, New York, United States (on 1936-04-28)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-28) and Henry “Moon” Jones (swing era reeds) (on 1936-04-28)
double bass:
George "Pops" Foster (on 1936-04-28)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-28)
guitar:
Lee Blair (on 1936-04-28)
piano:
Luis Russell (on 1936-04-28)
tenor saxophone:
Bingie Madison (on 1936-04-28) and Greely Walton (on 1936-04-28)
trombone:
Jimmy Archey (on 1936-04-28) and Snub Mosley (on 1936-04-28)
trumpet:
Gus Aiken (on 1936-04-28), Louis Armstrong (on 1936-04-28), Louis Bacon (on 1936-04-28) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-28)
vocals:
Louis Armstrong (on 1936-04-28)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-28)
3:01
13If We Never Meet Again
recorded in:
New York, New York, United States (on 1936-04-29)
double bass:
George "Pops" Foster (on 1936-04-29)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-29)
guitar:
Lee Blair (on 1936-04-29)
piano:
Luis Russell (on 1936-04-29)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-29), Henry “Moon” Jones (swing era reeds) (on 1936-04-29) and Greely Walton (on 1936-04-29)
tenor saxophone:
Bingie Madison (on 1936-04-29)
trombone:
Jimmy Archey (on 1936-04-29) and Snub Mosley (on 1936-04-29)
trumpet:
Gus Aiken (on 1936-04-29), Louis Armstrong (on 1936-04-29), Louis Bacon (on 1936-04-29) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-29)
vocals:
Louis Armstrong (on 1936-04-29)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-29)
recording of:
If We Never Meet Again (on 1936-04-29)
writer:
Louis Armstrong and Horace Gerlach
3:10
14Somebody Stole My Break
recorded in:
New York, New York, United States (on 1936-04-28)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-28) and Henry “Moon” Jones (swing era reeds) (on 1936-04-28)
double bass:
George "Pops" Foster (on 1936-04-28)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-28)
guitar:
Lee Blair (on 1936-04-28)
piano:
Luis Russell (on 1936-04-28)
tenor saxophone:
Bingie Madison (on 1936-04-28) and Greely Walton (on 1936-04-28)
trombone:
Jimmy Archey (on 1936-04-28) and Snub Mosley (on 1936-04-28)
trumpet:
Gus Aiken (on 1936-04-28), Louis Armstrong (on 1936-04-28), Louis Bacon (on 1936-04-28) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-28)
vocals:
Louis Armstrong (on 1936-04-28)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-28)
2:48
15Lyin' to Myself
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Lyin' to Myself (on 1936-05-18)
writer:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
3:12
16Ev'ntide
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Ev'ntide (on 1936-05-18)
lyricist and composer:
Hoagy Carmichael
2:54
17Swing That Music
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Swing That Music (on 1936-05-18)
lyricist and composer:
Louis Armstrong and Horace Gerlach
2:53
18Thankful
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Thankful (on 1936-05-18)
writer:
Sammy Cahn and Saul Chaplin
3:00
19Red Nose
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
3:05
20Public Melody Number One
recorded in:
New York, New York, United States (on 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-02)
double bass:
George "Pops" Foster (on 1937-07-02)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-02)
guitar:
Lee Blair (on 1937-07-02)
piano:
Luis Russell (on 1937-07-02)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-02), Bingie Madison (on 1937-07-02) and Albert Nicholas (on 1937-07-02)
trombone:
J.C. Higginbotham (on 1937-07-02), George Matthews (trombone) (on 1937-07-02) and George Washington (jazz trombonist) (on 1937-07-02)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-02), Louis Armstrong (on 1937-07-02), Louis Bacon (on 1937-07-02) and Shelton "Scad" Hemphill (on 1937-07-02)
vocals:
Louis Armstrong (on 1937-07-02)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-02)
recording of:
Public Melody Number One (on 1937-07-02)
lyricist:
Ted Koehler
composer:
Harold Arlen
3:08
10▶CD: Alexander's Ragtime Band
11▶CD: Rockin' Chair
12▶CD: Harlem Stomp
13▶CD: Among My Souvenirs
14▶CD: It Takes Time
15▶CD: La vie en rose