Werners Klopper

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:04
2Jeopardy
phonographisches Urheberrecht (℗) von:
Castle Communications PLC (not for label use, copyright holder) (in 1983)
recording of:
Jeopardy
Verfasser(in):
Greg Kihn und Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:50
3Our House
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 13) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 29)
recording of:
Our House
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:22
4Beast of Burden
Sologesang:
Bette Midler
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
cover recording of:
Beast of Burden
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
publisher:
Colgems-EMI Music Co. (publisher)
Bette Midler43:47
5After the War
Produzent(in):
Peter Collins (producer)
recording of:
After the War
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
publisher:
10 Music Ltd.
Gary Moore4:19
6Look at That Cadillac
Stray Cats4:03
7The Raven
recording of:
The Raven
Texter und Komponist(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
The Stranglers5:14
8Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:43
9Nelly the Elephant
cover recording of:
Nellie the Elephant
Verfasser(in):
Ralph Butler und Peter Hart (songwriter)
publisher:
Dash Music Co. Ltd.
The Toy Dolls3:29
10Making Plans for Nigel
Techniker(in):
Hugh Padgham
Produzent(in):
Steve Lillywhite
Bassgitarre und Sologesang:
Colin Moulding
E-Gitarre:
Dave Gregory (XTC) und Andy Partridge
Schlagzeug:
Terry Chambers
Hintergrundgesang:
Andy Partridge
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 477)
recording of:
Making Plans for Nigel
Texter und Komponist(in):
Colin Moulding
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
XTC4.54:13
11The Formula
recording of:
The Formula
Texter:
Jeannette-Thérèse Obstoj
Komponist(in):
Rupert Hine
Thinkman4:04
12Sad Songs
Cliff Barnes & the Fear of Winning5:27
13Fuck for TÜV
The F....' Kius Band7:17
2▼CD
Nr.TitelKünstlerBewertungLänge
1Back on the Chain Gang
Techniker(in):
Steve Churchyard
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Tony Butler (English rock bassist with Big Country)
Gitarre:
Billy Bremner und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Schlagzeug:
Martin Chambers (drummer for The Pretenders)
Hintergrundgesang:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Sologesang:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1982) und WEA Records Ltd. (holding company based in the UK) (in 1982)
aufgenommen bei:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 486)
recording of:
Back on the Chain Gang
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
gewidmet:
James Honeyman‐Scott
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
The Pretenders4.53:51
2Should I Stay or Should I Go
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
Gast vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 42), Indie 88: Top 500 Indie Rock Songs (Nummer: 183) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 228)
recording of:
Should I Stay or Should I Go
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:06
3Cold Metal
recording of:
Cold Metal
Texter und Komponist(in):
James Newell June Osterberg
publisher:
Bug Music Ltd.
Iggy Pop3:28
4Willin’
recording engineer und Mix:
Donn Landee
Produzent(in):
Ted Templeman
Bassgitarre:
Roy Estrada
Gast-Steel-Gitarre:
Sneaky Pete Kleinow
Gitarre und Sologesang:
Lowell George
Keyboard:
Bill Payne
Perkussion und Schlagzeug:
Richie Hayward
Hintergrundgesang:
Roy Estrada und Richie Hayward
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
Texter und Komponist(in):
Lowell George
publisher:
Abraham Music und Naked Snake Music
Little Feat2:55
5Veronica
recording of:
Veronica
Verfasser(in):
Declan Patrick MacManus und Paul McCartney (The Beatles)
Elvis Costello3:07
6Postcard From Waterloo
Tom Verlaine3:33
7My Andy Warhol Poster
The Times3:58
8Running
Jerry Felix5:07
9Heart of Glass
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison
Gitarre:
Frank Infante und Chris Stein
Keyboard:
Jimmy Destri
Schlagzeug:
Clem Burke
vocals:
Deborah Harry
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) und Chrysalis Records, Inc. (not for release label use!) (in 1979)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 2), Indie 88: Top 500 Indie Rock Songs (Nummer: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 138) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 255)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie4.33:57
10Romeo Had Juliett
assistierende(r) Techniker(in):
Victor Deyglio
Techniker(in):
Fred
Produzent(in):
Fred Maher und Lou Reed
Bass und Schlagzeug:
Fred Maher
E-Gitarre:
Mike Rathke und Lou Reed
Sologesang:
Lou Reed
aufgenommen bei und mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Romeo Had Juliette
Texter und Komponist(in):
Lou Reed
Lou Reed43:11
11This Is Not a Love Song
Produzent(in) und Mix:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
Verfasser(in):
Martin Atkins (UK drummer), Keith Levene und John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing und Warner/Chappell Music Ltd. (1996–2019)
Version von:
Love Song
Public Image Ltd.44:13
12Saturday Night
Willie & the Poor Boys2:50
13In the Ghetto
Techniker(in):
Flood (British producer Mark Ellis)
Sologesang:
Nick Cave (Australian singer‐songwriter, musician and score composer)
phonographisches Urheberrecht (℗) von:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1984)
cover recording of:
In the Ghetto
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
recording of:
In the Ghetto
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
Nick Cave & the Bad Seeds34:07
14For the Big Country
Pilgrim Souls2:48
15Big Saturday
The Jazz Butcher2:42
16Zaus Em Kappes
Das Dreigehirn feat. Frau Reifferscheid4:05

Nennungen

Veröffentlichung

hergestellt in:Deutschland
gedruckt in:Deutschland
Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
hergestellt von:Sonopress (Sonopress GmbH, German vinyl, cassette, CD and DVD manufacturer. see annotations)
vertrieben von:BMG Ariola (company mostly named as distributor in Europe)
BMG Records (not for release label use! primarily named as distributor in the UK)
phonographisches Urheberrecht (℗) von:BMG Ariola München GmbH (in 1991)
vermarkted von:BMG Ariola (company mostly named as distributor in Europe)
Discogs:https://www.discogs.com/release/5069118 [Info]
ASIN:DE: B0000923TR [Info]