The Duet Album: Better Together

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Lily Was Here
recording engineer:
Steve McLaughlin (British producer, engineer, musician and film producer)
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
mixer:
Gary Bradshaw
guest saxophone:
Candy Dulfer
guitar:
David A. Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1989) and Eligible Music Ltd. (in 1989)
recording of:
Lily Was Here
composer:
David A. Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. and Eligible Music Ltd.
Dave Stewart & Candy Dulfer3.84:20
2Wherever Would I Be
recording of:
Wherever Would I Be?
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Dusty Springfield & Daryl Hall3:53
3Easy LoverPhil Collins & Philip Bailey45:05
4Where Is the LoveRick Price & Margaret Urlich2:54
5Just the Two of Us
producer:
Ralph MacDonald and Grover Washington, Jr.
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
electric bass guitar:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
electric guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
lead vocals:
Bill Withers (from 1980-06 until 1980-07)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
edit of:
Just the Two of Us (original studio mix) by Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Bill Withers & Grover Washington, Jr.3.54:00
6Someone to Love
recording of:
Someone to Love
lyricist and composer:
Babyface (R&B musician Kenny Edmonds)
Jon B. & Babyface4:33
7Don’t Know Much
recording engineer and mixer:
George Massenburg
co-producer:
Steve Tyrell (American producer and vocalist)
producer:
Peter Asher
bass guitar [bass]:
Leland Sklar (bassist, session musician)
guest vocals:
Aaron Neville
vocals:
Linda Ronstadt
performer:
Aaron Neville and Linda Ronstadt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
writer:
Barry Mann, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. and Snow Music
Linda Ronstadt & Aaron Neville33:35
8Sometimes Love Just Ain’t Enough
performer:
Don Henley
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1992)
recording of:
Sometimes Love Just Ain’t Enough
writer:
Glen Burtnik and Patty Smyth
publisher:
BMG Music Publishing Ltd., EMI Blackwood Music Inc., EMI Songs Ltd., Hampstead Heath Music Publishing Ltd., Pink Smoke Music, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Patty Smyth & Don Henley44:27
97 Seconds
recording engineer:
Booga Bear (in 1993-02) and Jonny Dollar (UK producer & songwriter) (in 1993-02)
miscellaneous support:
Booga Bear (task: sequenced by), Tony Cousins (mastering engineer) (task: cut by), Johnny Dollar (UK producer & songwriter) (task: sequenced by; task: cut by) and Crispin Murray (task: additional digital noodling)
programming:
Falcon (hip hop producer Christian Falk) (in 1993) and Johnny Dollar (UK producer & songwriter) (in 1993)
additional engineer:
Ronnie Lahti (Swedish musician, songwriter)
assistant engineer:
Spencer May
engineer:
Jonny Dollar (UK producer & songwriter)
additional producer:
Falcon (hip hop producer Christian Falk)
producer:
Booga Bear and Johnny Dollar (UK producer & songwriter)
mixer:
Booga Bear, Jonny Dollar (UK producer & songwriter), Falcon (hip hop producer Christian Falk) and Ronnie Lahti (Swedish musician, songwriter)
editor:
Tony Cousins (mastering engineer) and Johnny Dollar (UK producer & songwriter)
additional keyboard [keyboards]:
Kristoffer Wallman (in 1993)
additional percussion:
Mark Roberts (US percussionist) (in 1993)
instruments:
Falcon (hip hop producer Christian Falk) (in 1993) and Johnny Dollar (UK producer & songwriter) (in 1993)
keyboard and solo violin:
Sacha Skarbek (in 1993)
violin:
Jonas Lindgren (violinist) (in 1993)
vocals:
Neneh Cherry (in 1993)
performer:
Neneh Cherry (in 1993) and Youssou N’Dour (in 1993)
phonographic copyright (℗) by:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (in 1996)
recorded at:
Power Play Studios in New York, New York, United States (in 1993-02)
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
engineered at:
Coin Record in Málaga, Málaga (Province of Málaga), Andalucía (Andalusia), Spain, CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom, Eastcote in London (Greater London), England, United Kingdom, El Curtiju in San Pedro, Albacete (Province of Albacete), Castilla-La Mancha (Castile-La Mancha), Spain, Mayfair (England) in London (Greater London), England, United Kingdom, Power Play in New York, New York, United States, Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Soundtrade in Solna City, Stockholms län (Stockholm county), Sweden and Westside in London (Greater London), England, United Kingdom
edited at:
Metropolis Mastering in London (Greater London), England, United Kingdom
recording of:
7 Seconds (in 1993)
lyricist:
Neneh Cherry and Youssou N’Dour
composer:
Cameron McVey and Jonathan Sharp (UK producer aka Jonny Dollar)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Youssou N’Dour & Neneh Cherry4.355:05
10Delicate
engineer:
Craig Porteils (producer, engineer)
drums (drum set), keyboard, percussion and background vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
guitar:
Terence Trent D’Arby (now known as Sananda Maitreya) and Aaron McClain
guest lead vocals:
Des’ree
recording of:
Delicate (Terence Trent D’Arby)
writer:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby & Des’ree4:18
11I Can’t Imagine
recording of:
I Can't Imagine
writer:
Gerry Goffin and Barry Mann
Peabo Bryson & Regina Belle4:28
12Emotion
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
synthesizer [synthesizers]:
James Newton Howard (American score composer)
background vocals:
Barry Gibb and Robin Gibb
vocals:
Samantha Sang
phonographic copyright (℗) by:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) and Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
recorded at and remixed at:
Criteria Sound in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 14)
cover recording of:
Emotion
writer:
Barry Gibb and Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia and Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang & Barry Gibb3.53:53
13Why
recording of:
Why
lyricist and composer:
Babyface (R&B musician Kenny Edmonds)
3T & Michael Jackson5:22
14When I Fall in Love
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Humberto Gatica
guest vocals:
Clive Griffin
vocals:
Céline Dion and Clive Griffin
arranger:
Jeremy Lubbock
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
mixed for:
Hum Inc. Productions
produced for:
Chartmaker Inc.
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Céline Dion & Clive Griffin3.354:22
15Tonight, I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East (in 1983)
drums (drum set):
Carlos Vega (in 1983)
guitar:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
piano:
Randy Kerber (in 1983)
vocals:
Peabo Bryson (in 1983) and Roberta Flack (in 1983)
arranger:
Michael Masser and Gene Page
orchestrator:
Gene Page
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:32
16Almost ParadiseMike Reno and Ann Wilson3:50
17Can’t We Try
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1987)
recording of:
Can't We Try
lyricist and composer:
Beverly Chapin-Hill and Dan Hill (Canadian singer/songwriter)
publisher:
A Question of Material Music, EMI April Music Inc., If Dreams Had Wings Music Ltd. and Scoop Music Ltd.
Dan Hill & Vonda Shepard23:58
18Don’t Let It End
engineer:
Doug Brady (engineer)
producer:
Ross Fraser
recording of:
Don't Let It End (Mandarin Version)
writer:
Ross Fraser, Aaron Hendra (Australian-born singer-songwriter; guitarist) and Chong Lim
translated version of:
Don’t Let It End
John Farnham & Chiu4:40