Scott Hamilton and Warren Vaché With Scott's Band in New York City

~ Release by Scott Hamilton and Warren Vaché (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Tea for Two
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
cornet and flugelhorn:
Warren Vaché (trumpet, cornet, flugelhorn)
double bass [bass]:
Phil Flanigan
drums (drum set):
Chuck Riggs
electric guitar [guitar]:
Chris Flory
piano:
Norman Simmons
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Sue Melikan
remixer:
Phil Edwards (recording engineer)
recorded at:
Soundmixers in Midtown Manhattan, New York, New York, United States
remixed at:
PER in San Francisco, California, United States
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
6:44
A2You Took Advantage of Me
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
cornet and flugelhorn:
Warren Vaché (trumpet, cornet, flugelhorn)
double bass [bass]:
Phil Flanigan
drums (drum set):
Chuck Riggs
electric guitar [guitar]:
Chris Flory
piano:
Norman Simmons
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Sue Melikan
remixer:
Phil Edwards (recording engineer)
recorded at:
Soundmixers in Midtown Manhattan, New York, New York, United States
remixed at:
PER in San Francisco, California, United States
recording of:
You Took Advantage of Me
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
2:20
A3Freego
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
cornet and flugelhorn:
Warren Vaché (trumpet, cornet, flugelhorn)
double bass [bass]:
Phil Flanigan
drums (drum set):
Chuck Riggs
electric guitar [guitar]:
Chris Flory
piano:
Norman Simmons
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Sue Melikan
remixer:
Phil Edwards (recording engineer)
recorded at:
Soundmixers in Midtown Manhattan, New York, New York, United States
remixed at:
PER in San Francisco, California, United States
recording of:
Freego
composer:
Scott Hamilton (jazz tenor saxophonist)
5:36
A4Darn That Dream
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
cornet and flugelhorn:
Warren Vaché (trumpet, cornet, flugelhorn)
double bass [bass]:
Phil Flanigan
drums (drum set):
Chuck Riggs
electric guitar [guitar]:
Chris Flory
piano:
Norman Simmons
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Sue Melikan
remixer:
Phil Edwards (recording engineer)
recorded at:
Soundmixers in Midtown Manhattan, New York, New York, United States
remixed at:
PER in San Francisco, California, United States
recording of:
Darn That Dream
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
4:51
B1I Love You
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
cornet and flugelhorn:
Warren Vaché (trumpet, cornet, flugelhorn)
double bass [bass]:
Phil Flanigan
drums (drum set):
Chuck Riggs
electric guitar [guitar]:
Chris Flory
piano:
Norman Simmons
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Sue Melikan
remixer:
Phil Edwards (recording engineer)
recorded at:
Soundmixers in Midtown Manhattan, New York, New York, United States
remixed at:
PER in San Francisco, California, United States
recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
5:52
B2There Will Never Be Another You
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
cornet and flugelhorn:
Warren Vaché (trumpet, cornet, flugelhorn)
double bass [bass]:
Phil Flanigan
drums (drum set):
Chuck Riggs
electric guitar [guitar]:
Chris Flory
piano:
Norman Simmons
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Sue Melikan
remixer:
Phil Edwards (recording engineer)
recorded at:
Soundmixers in Midtown Manhattan, New York, New York, United States
remixed at:
PER in San Francisco, California, United States
recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
2:59
B3You're Getting to Be a Habit With Me
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
cornet and flugelhorn:
Warren Vaché (trumpet, cornet, flugelhorn)
double bass [bass]:
Phil Flanigan
drums (drum set):
Chuck Riggs
electric guitar [guitar]:
Chris Flory
piano:
Norman Simmons
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Sue Melikan
remixer:
Phil Edwards (recording engineer)
recorded at:
Soundmixers in Midtown Manhattan, New York, New York, United States
remixed at:
PER in San Francisco, California, United States
recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
4:16
B4Raus!
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
cornet and flugelhorn:
Warren Vaché (trumpet, cornet, flugelhorn)
double bass [bass]:
Phil Flanigan
drums (drum set):
Chuck Riggs
electric guitar [guitar]:
Chris Flory
piano:
Norman Simmons
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Sue Melikan
remixer:
Phil Edwards (recording engineer)
recorded at:
Soundmixers in Midtown Manhattan, New York, New York, United States
remixed at:
PER in San Francisco, California, United States
recording of:
Raus!
composer:
Scott Hamilton (jazz tenor saxophonist) and Warren Vaché (trumpet, cornet, flugelhorn)
5:18
B5Danny Boy
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
cornet and flugelhorn:
Warren Vaché (trumpet, cornet, flugelhorn)
double bass [bass]:
Phil Flanigan
drums (drum set):
Chuck Riggs
electric guitar [guitar]:
Chris Flory
piano:
Norman Simmons
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Sue Melikan
remixer:
Phil Edwards (recording engineer)
recorded at:
Soundmixers in Midtown Manhattan, New York, New York, United States
remixed at:
PER in San Francisco, California, United States
recording of:
Danny Boy
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
4:24

Credits

Release

phonographic copyright (℗) by:Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
mastered at:The Mastering Room (San Francisco) in San Francisco, California, United States
Discogs:https://www.discogs.com/release/8343706 [info]