The 80's Collection: 1984: Alive and Kicking (different Jacksons track)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I Want to Know What Love Is
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner34:04
2Shout
recording of:
Shout
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears5:53
3Out of Touch
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Hall & Oates4:16
4Time After Time
producer:
Rick Chertoff
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper43:52
5Why?
recording of:
Why?
composer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
Bronski Beat3:59
6Modern Girl
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1984)
recording of:
Modern Girl
writer:
Sarah Durkee and Paul Jacobs (American composer)
publisher:
Morrison Leahy Music Ltd.
Meat Loaf44:27
7I’ll Fly for You
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
recording of:
I’ll Fly for You
lyricist and composer:
Gary Kemp
Spandau Ballet25:13
8Politics of Dancing
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1984)
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
Re‐Flex3.353:48
9Groovin’ (You’re the Best Thing)
recording of:
You’re the Best Thing
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and Universal Music Publishing MGB Australia
Style Council4:35
10The Lion’s Mouth
mastering:
Gordon Vicary
recording of:
The Lion's Mouth
lyricist:
Nick Beggs
composer:
Steve Askew, Nick Beggs, Stuart Croxford Neale and Jez Strode
Kajagoogoo3:36
11Skin Deep
producer:
Laurie Latham and The Stranglers
music videos:
Skin Deep by The Stranglers
recording of:
Skin Deep
lyricist and composer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
EMI Songs Ltd. and Plugshaft Ltd.
Stranglers4.53:55
12Hyperactive
producer:
Thomas Dolby
recording of:
Hyperactive!
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby33:40
2▼CD
#TitleArtistRatingLength
1Get Out of Your Lazy Bed
engineer:
John Buckley (British production music composer)
producer:
Peter Collins (producer)
mixer:
Phil Harding (engineer, producer and remixer)
baritone saxophone:
Ronnie Ross
drums (drum set) and percussion:
Peter Ross
keyboard:
Danny White (keyboardist)
vocals:
Basia and Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Get Out of Your Lazy Bed
writer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Warner Chappell Music France
Matt Bianco2.653:31
2Fresh
recording of:
Fresh
writer:
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Bonnefond, Sandy Linzer, Robert Bell, Claydes Smith and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang3:54
3Lost in Music
recording of:
Lost in Music
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:43
4Caribbean Queen (No More Love on the Run)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
writer:
Keith Diamond and Billy Ocean
Billy Ocean44:09
5I’m So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Pointer Sisters4.83:53
6State of Shock
The Jacksons4:08
7Down on the Street
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Down on the Street
writer:
Roger Odell and Bill Sharpe
publisher:
Skratch Music Publishing Ltd.
Shakatak3:22
8Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:05
9Whatever I Do (Wherever I Go)
recording of:
Whatever I Do (Wherever I Go)
writer:
Matt Aitken and Mike Stock (of Stock Aitken Waterman)
Hazell Dean3:51
10Don’t Answer Me
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar:
Ian Bairnson and David Paton (of Pilot)
bass guitar:
David Paton (of Pilot)
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
guitar:
Ian Bairnson
keyboard and background vocals:
Chris Rainbow and Eric Woolfson
saxophone:
Mel Collins
synthesizer [Fairlight]:
Alan Parsons (of The Alan Parsons Project)
lead vocals:
Eric Woolfson
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
recording of:
Don’t Answer Me
writer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Careers Music, Inc. and Woolfsongs Ltd.
Alan Parsons Project44:04
11Dancing With Tears in My Eyes
recording of:
Dancing With Tears in My Eyes
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox44:10
12Big in Japan
producer:
Orlando
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present) and wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984)
edit of:
Big in Japan (album version) by Alphaville (German synth pop band)
recording of:
Big in Japan
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville53:55

Credits

Release group

part of:The 80’s Collection (Time‐Life Music) (number: 11) (order: 11)