At Sportpalast, Berlin

~ Release by Johnny Hodges (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Take the "A" Train
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live recording of:
Take the “A” Train (original instrumental version) (in 1961-03)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
2:56
2In the Kitchen
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live recording of:
In the Kitchen (in 1961-03)
composer:
Johnny Hodges
7:46
3Mood Indigo / Solitude
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live medley including a instrumental recording of:
(In My) Solitude (in 1961-03)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
live medley including a instrumental recording of:
Mood Indigo (1930 jazz composition and song) (in 1961-03)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
5:02
4Satin Doll
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
Satin Doll (in 1961-03)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
2:49
5I Got It Bad and That Ain’t Good
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
I Got It Bad (and That Ain’t Good) (in 1961-03)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
3:00
6Rockin’ in Rhythm
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live recording of:
Rockin’ in Rhythm (in 1961-03)
composer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
is based on:
Kinda Dukish
4:47
7Autumn Leaves
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
violin:
Ray Nance (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (in 1961-03)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
4:15
8Stompy Jones
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live recording of:
Stompy Jones (in 1961-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
12:21
2▼CD
#TitleRatingLength
1"C" Jam Blues
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live recording of:
“C” Jam Blues (in 1961-03)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
4:53
2The Jeep Is Jumpin’
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live recording of:
The Jeep Is Jumpin' (in 1961-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Johnny Hodges
2:29
3Good Queen Bess
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live recording of:
Good Queen Bess (in 1961-03)
composer:
Johnny Hodges
4:17
4Things Ain't What They Used to Be
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
Things Ain’t What They Used to Be (in 1961-03)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
6:31
5I’ll Get By
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
I’ll Get by (as Long as I Have You) (in 1961-03)
lyricist:
Roy Turk
composer:
Fred Ahlert
2:50
6I Let a Song Go Out of My Heart / Don’t Get Around Much Anymore
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
vocals:
Ray Nance (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live medley including a recording of:
Don’t Get Around Much Anymore (in 1961-03)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
live medley including a recording of:
I Let a Song Go Out of My Heart (in 1961-03)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, volume I)
4:07
7Just Squeeze Me (But Don’t Tease Me)
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
vocals:
Ray Nance (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live recording of:
Just Squeeze Me (but Don’t Tease Me) (in 1961-03)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
2:59
8Do Nothin’ Till You Hear From Me
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
Do Nothin’ Till You Hear From Me (in 1961-03)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:55
9Rose of the Rio Grande
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
Rose of the Rio Grande (in 1961-03)
lyricist:
Edgar Leslie
composer:
Ross Gorman and Harry Warren (US composer and lyricist)
2:45
10All of Me
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
All of Me (in 1961-03)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:37
11On the Sunny Side of the Street
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
On the Sunny Side of the Street (in 1961-03)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
4:26
12Blue Moon
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live instrumental recording of:
Blue Moon (in 1961-03)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:08
13Perdido
alto saxophone:
Johnny Hodges (in 1961-03)
baritone saxophone:
Harry Carney (in 1961-03)
cornet:
Ray Nance (in 1961-03)
double bass [bass]:
Aaron Bell (jazz double bassist) (in 1961-03)
drums (drum set):
Sam Woodyard (in 1961-03)
piano:
Al Williams (piano) (in 1961-03)
trombone:
Lawrence Brown (jazz trombonist) (in 1961-03)
recorded at:
Sportpalast in Berlin, Germany (in 1961-03)
live recording of:
Perdido (original instrumental version) (in 1961-03)
composer:
Juan Tizol
11:20