The Man With the Trumpet

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

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1▼CD: Jazz Lips (77:23)
#TitleRatingLength
1My Heart
recorded in:
Chicago, Illinois, United States (on 1925-11-12)
banjo:
Johnny St. Cyr (on 1925-11-12)
clarinet:
Johnny Dodds (on 1925-11-12)
cornet:
Louis Armstrong (on 1925-11-12)
piano:
Lil Hardin Armstrong (on 1925-11-12)
trombone:
Kid Ory (on 1925-11-12)
recording of:
My Heart (Will Always Lead Me Back to You) (on 1925-11-12)
composer:
Lil Hardin Armstrong
?:??
2Heebie Jeebies
recording of:
Heebie Jeebies
lyricist and composer:
Boyd Atkins
?:??
3Cornet Chop Suey
recording of:
Cornet Chop Suey
composer:
Louis Armstrong
?:??
4Don’t Forget to Mess Around
recorded in:
Chicago, Illinois, United States (on 1926-06-16)
alto saxophone and clarinet:
Johnny Dodds (on 1926-06-16)
banjo:
Johnny St. Cyr (on 1926-06-16)
cornet:
Louis Armstrong (on 1926-06-16)
piano:
Lil Hardin Armstrong (on 1926-06-16)
trombone:
Kid Ory (on 1926-06-16)
vocals:
Louis Armstrong (on 1926-06-16)
recording of:
Don’t Forget to Mess Around (on 1926-06-16)
writer:
Louis Armstrong and Paul Barbarin (jazz drummer from New Orleans)
?:??
5Jazz Lips
recorded in:
Chicago, Illinois, United States (on 1926-11-16)
banjo:
Johnny St. Cyr (on 1926-11-16)
clarinet:
Johnny Dodds (on 1926-11-16)
cornet:
Louis Armstrong (on 1926-11-16)
piano:
Lil Hardin Armstrong (on 1926-11-16)
trombone:
Kid Ory (on 1926-11-16)
recording of:
Jazz Lips (on 1926-11-16)
composer:
Lil Hardin Armstrong
?:??
6Skid‐Dat‐De‐Dat
recorded in:
Chicago, Illinois, United States (on 1926-11-16)
banjo:
Johnny St. Cyr (on 1926-11-16)
clarinet:
Johnny Dodds (on 1926-11-16)
cornet:
Louis Armstrong (on 1926-11-16)
piano:
Lil Hardin Armstrong (on 1926-11-16)
trombone:
Kid Ory (on 1926-11-16)
vocals:
Louis Armstrong (on 1926-11-16)
recording of:
Skid-dat-de-dat (on 1926-11-16)
composer:
Lil Hardin Armstrong
?:??
7You Made Me Love You
recording of:
You Made Me Love You
writer:
Louis Armstrong and Percy Venable
?:??
8Wild Man Blues
recording of:
Wild Man Blues
composer:
Louis Armstrong and Ferdinand Joseph LaMothe
?:??
9Chicago Breakdown
alto saxophone:
Boyd Atkins (on 1927-05-09) and Joe Walker (US early jazz saxophonist) (on 1927-05-09)
banjo and guitar:
Rip Bassett (on 1927-05-09)
baritone saxophone:
Joe Walker (US early jazz saxophonist) (on 1927-05-09)
clarinet and soprano saxophone:
Boyd Atkins (on 1927-05-09)
cornet:
Louis Armstrong (on 1927-05-09) and Bill Wilson (US early jazz cornetist) (on 1927-05-09)
drums (drum set):
Tubby Hall (on 1927-05-09)
piano:
Earl Hines (jazz pianist and bandleader) (on 1927-05-09)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1927-05-09)
trombone:
Honoré Dutrey (on 1927-05-09)
tuba:
Pete Briggs (on 1927-05-09)
recording of:
Chicago Breakdown (on 1927-05-09)
composer:
Jelly Roll Morton
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
?:??
10Alligator Crawl
recorded in:
Chicago, Illinois, United States (on 1927-05-10)
banjo:
Johnny St. Cyr (on 1927-05-10)
clarinet:
Johnny Dodds (on 1927-05-10)
cornet:
Louis Armstrong (on 1927-05-10)
drums (drum set):
Warren “Baby” Dodds (on 1927-05-10)
piano:
Lil Hardin Armstrong (on 1927-05-10)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-10)
tuba:
Pete Briggs (on 1927-05-10)
performer:
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Alligator Crawl (on 1927-05-10)
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter) and Andy Razaf
composer:
Fats Waller
?:??
11Melancholy Blues
recording of:
Melancholy Blues
writer:
Marty Bloom and Walter Melrose
?:??
12Twelfth Street Rag
recording of:
Twelfth Street Rag
lyricist:
Andy Razaf
composer:
Euday L. Bowman
?:??
13S.O.L. Blues
recorded in:
Chicago, Illinois, United States (on 1927-05-13)
banjo:
Johnny St. Cyr (on 1927-05-13)
clarinet:
Johnny Dodds (on 1927-05-13)
drums (drum set):
Baby Dodds (on 1927-05-13)
piano:
Lil Hardin Armstrong (on 1927-05-13)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-13)
trumpet:
Louis Armstrong (on 1927-05-13)
tuba:
Pete Briggs (on 1927-05-13)
vocals:
Louis Armstrong (on 1927-05-13)
recording of:
S.O.L. Blues (on 1927-05-13)
lyricist and composer:
Louis Armstrong
?:??
14Ory’s Creole Trombone
recorded in:
Chicago, Illinois, United States (on 1927-09-02)
banjo:
Johnny St. Cyr (on 1927-09-02)
clarinet:
Johnny Dodds (on 1927-09-02)
cornet and trumpet:
Louis Armstrong (on 1927-09-02)
piano:
Lil Armstrong (on 1927-09-02)
trombone:
Kid Ory (on 1927-09-02)
recording of:
Ory’s Creole Trombone (on 1927-09-02)
composer:
Kid Ory
?:??
15The Last Time
recorded in:
Chicago, Illinois, United States (on 1927-09-06)
banjo and guitar:
Johnny St. Cyr (on 1927-09-06)
clarinet:
Johnny Dodds (on 1927-09-06)
cornet:
Louis Armstrong (on 1927-09-06)
piano:
Lil Hardin Armstrong (on 1927-09-06)
trombone:
Kid Ory (on 1927-09-06)
vocals:
Louis Armstrong (on 1927-09-06)
recording of:
The Last Time (on 1927-09-06)
lyricist and composer:
Bill Ewing (1920s) and Sara Martin (1920s US blues singer, 1884–1955)
?:??
16Struttin’ With Some Barbecue
recording of:
Struttin’ With Some Barbecue
composer:
Lil Hardin Armstrong
?:??
17Savoy Blues
recording of:
Savoy Blues
writer:
Kid Ory
?:??
18Fireworks
recorded in:
Chicago, Illinois, United States (on 1928-06-27)
banjo and guitar:
Mancy "Peck" Carr (on 1928-06-27)
clarinet:
Jimmy Strong (on 1928-06-27)
cymbal:
Zutty Singleton (on 1928-06-27)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-27)
trombone:
Fred Robinson (American trombonist) (on 1928-06-27)
trumpet:
Louis Armstrong (on 1928-06-27)
vocals:
Louis Armstrong (on 1928-06-27)
recording of:
Fireworks (on 1928-06-27)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
?:??
19A Monday Date
recorded in:
Chicago, Illinois, United States (on 1928-06-27)
banjo:
Mancy Cara (on 1928-06-27)
clarinet:
Jimmy Strong (on 1928-06-27)
cymbal:
Zutty Singleton (on 1928-06-27)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-27)
trombone:
Fred Robinson (American trombonist) (on 1928-06-27)
trumpet:
Louis Armstrong (on 1928-06-27)
vocals:
Louis Armstrong (on 1928-06-27) and Earl Hines (jazz pianist and bandleader) (on 1928-06-27)
recording of:
My Monday Date (on 1928-06-27)
composer:
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
?:??
20Don’t Jive Me
recorded in:
Chicago, Illinois, United States (on 1928-06-28)
banjo:
Mancy "Peck" Carr (on 1928-06-28)
clarinet:
Jimmy Strong (on 1928-06-28)
cymbal:
Zutty Singleton (on 1928-06-28)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-28)
trombone:
Fred Robinson (American trombonist) (on 1928-06-28)
trumpet:
Louis Armstrong (on 1928-06-28)
recording of:
Don’t Jive Me (on 1928-06-28)
writer:
Louis Armstrong
?:??
21West End Blues
recording of:
West End Blues (Armstrong recording)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
?:??
22Two Deuces
recorded in:
Chicago, Illinois, United States (on 1928-06-29)
banjo:
Mancy "Peck" Carr (on 1928-06-29)
clarinet:
Jimmy Strong (on 1928-06-29)
cymbal:
Zutty Singleton (on 1928-06-29)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-29)
trombone:
Fred Robinson (American trombonist) (on 1928-06-29)
trumpet:
Louis Armstrong (on 1928-06-29)
recording of:
Two Deuces (on 1928-06-29)
composer:
Lil Hardin Armstrong
?:??
23Basin Sreet Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
24Beau Koo Jack
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
alto saxophone and clarinet:
Don Redman (on 1928-12-05)
banjo and guitar:
Dave Wilborn (on 1928-12-05)
drums (drum set):
Zutty Singleton (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trombone:
Fred Robinson (American trombonist) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
vocals:
Louis Armstrong (on 1928-12-05)
arranger:
Alex Hill (20th century US jazz pianist)
recording of:
Beau Koo Jack (on 1928-12-05)
lyricist:
Walter Melrose
composer:
Louis Armstrong and Alex Hill (20th century US jazz pianist)
?:??
25Weather Bird
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
recording of:
Weather Bird (on 1928-12-05)
composer:
Louis Armstrong
?:??
2▼CD: Mahagony Hall Stomp (79:37)
#TitleRatingLength
1Muggles
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
banjo:
Mancy "Peck" Carr (on 1928-12-05)
clarinet:
Jimmy Strong (on 1928-12-05)
drums (drum set):
Zutty Singleton (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trombone:
Fred Robinson (American trombonist) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
vocals:
Louis Armstrong (on 1928-12-05)
recording of:
Muggles (on 1928-12-07)
lyricist and composer:
Louis Armstrong
?:??
2Hear Me Talkin’ to Ya?
recording of:
Hear Me Talkin' to Ya
lyricist and composer:
Louis Armstrong
?:??
3Tight Like This
recorded in:
Chicago, Illinois, United States (on 1928-12-12)
alto saxophone:
Don Redman (on 1928-12-12)
banjo:
Mancy "Peck" Carr (on 1928-12-12)
clarinet:
Don Redman (on 1928-12-12) and Jimmy Strong (on 1928-12-12)
drums (drum set):
Zutty Singleton (on 1928-12-12)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-12)
tenor saxophone:
Jimmy Strong (on 1928-12-12)
trombone:
Fred Robinson (American trombonist) (on 1928-12-12)
trumpet and lead vocals:
Louis Armstrong (on 1928-12-12)
vocals:
Louis Armstrong (on 1928-12-12)
performer:
Louis Armstrong and His Savoy Ballroom Five (on 1928-12-12)
recording of:
Tight Like This (on 1928-12-12)
lyricist and composer:
Langston Curl
3?:??
4I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
?:??
5Mahogany Hall Stomp
recording of:
Mahogany Hall Stomp
composer:
Spencer Williams (US jazz composer, pianist & singer)
?:??
6Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
?:??
7(What Did I Do to Be So) So Black and Blue
recording of:
Black and Blue
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
?:??
8Some of These Days
recording of:
Some of These Days
lyricist and composer:
Shelton Brooks
writer:
Spencer Williams (US jazz composer, pianist & singer)
?:??
9After You’ve Gone
recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
?:??
10St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
?:??
11Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
?:??
12Bessie Couldn’t Help It
recorded in:
New York, New York, United States (on 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1930-02-01) and William Thornton Blue (American jazz reed player) (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1930-02-01)
guitar:
Will Johnson (jazz musician) (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
tenor saxophone:
Teddy Hill (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (jazz musician) (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (trumpet) (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
orchestra:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (on 1930-02-01)
writer:
Charles A. Bayha, Jacques Richmond (songwriter) and Byron Warner (active in the 1960's)
?:??
13Dinah
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
?:??
14Tiger Rag
recording of:
Tiger Rag (original 1917 instrumental version)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
?:??
15If I Could Be With You One Hour Tonight
recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (Lyricist) (in 1926)
composer:
James P. Johnson (in 1926)
?:??
16Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
17Memories of You
recording of:
Memories of You
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
?:??
18You’re Driving Me Crazy
recording of:
You’re Driving Me Crazy
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
?:??
19Shine
recording of:
Shine
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
?:??
20Them There Eyes
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
?:??
21Lazy River
recording of:
Lazy River
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
?:??
22Chinatown, My Chinatown
recording of:
Chinatown, My Chinatown
lyricist:
William Jerome (in 1910)
composer:
Jean Schwartz (in 1910)
publisher:
Beuscher and Sim (Related to Éditions Sim)
?:??
23Star Dust
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
?:??
24Georgia on My Mind
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
?:??
3▼CD: Basin Street Blues (69:21)
#TitleRatingLength
1The New Tiger Rag
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone (on 1932-03-11)
clarinet:
George James (US jazz saxophonist) (on 1932-03-11)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-03-11)
drums (drum set):
Tubby Hall (on 1932-03-11)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-03-11)
piano:
Charlie Alexander (US jazz pianist) (on 1932-03-11)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-03-11)
trombone:
Preston Jackson (jazz trombonist) (on 1932-03-11)
trumpet:
Louis Armstrong (on 1932-03-11) and Zilner Randolph (on 1932-03-11)
vocals:
Louis Armstrong (on 1932-03-11)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1932-03-11)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
?:??
2Keepin’ Out of Mischief Now
recording of:
Keepin’ Out of Mischief Now
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
?:??
3That’s My Home
recording of:
That’s My Home
composer:
Ben Ellison, Leon René and Otis René
?:??
4I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
?:??
5High Society
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
?:??
6He’s a Son of the South
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
He’s a Son of the South (on 1933-01-26)
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter)
composer:
Reginald Foresythe
?:??
7Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
8Mahogany Hall Stomp
recording of:
Mahogany Hall Stomp
composer:
Spencer Williams (US jazz composer, pianist & singer)
?:??
9Mississippi Basin
recording of:
Mississippi Basin
lyricist:
Andy Razaf
composer:
Reginald Foresythe
?:??
10Dusky Stevedore
recorded in:
Chicago, Illinois, United States (on 1933-04-24)
alto saxophone:
Scoville Browne (on 1933-04-24) and George Oldham (on 1933-04-24)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-24)
clarinet:
Scoville Browne (on 1933-04-24), Budd Johnson (on 1933-04-24) and George Oldham (on 1933-04-24)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-04-24)
drums (drum set):
Sid Catlett (on 1933-04-24)
piano:
Charlie Beal (on 1933-04-24)
tenor saxophone:
Budd Johnson (on 1933-04-24)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-24)
trumpet:
Louis Armstrong (on 1933-04-24), Zilner Randolph (on 1933-04-24) and Elmer Whitlock (US trumpet player) (on 1933-04-24)
vocals:
Louis Armstrong (on 1933-04-24)
recording of:
Dusky Stevedore (on 1933-04-24)
writer:
J. C. Johnson and Andy Razaf
?:??
11Sweet Sue, Just You
recording of:
Sweet Sue, Just You
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
?:??
12St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
?:??
13I’ve Got My Fingers Crossed
recording of:
I’ve Got My Fingers Crossed
lyricist:
Ted Koehler
composer:
Jimmy McHugh (songwriter)
?:??
14Ol’ Man Mose
recording of:
Ol’ Man Mose
writer:
Louis Armstrong and Zilner Randolph
?:??
15Thanks a Million
recording of:
Thanks a Million
lyricist:
Gus Kahn
composer:
Arthur Johnston (American composer and songwriter)
?:??
16Shoe Shine Boy
recording of:
Shoe Shine Boy
lyricist:
Sammy Cahn
composer:
Saul Chaplin
?:??
17Solitude
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
?:??
18I Hope Gabriel Likes Music
recording of:
I Hope Gabriel Likes My Music
composer:
Dave Franklin (Tin Pan Alley songwriter)
?:??
19The Music Goes ’round and Around
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson)
lyricist:
Red Hodgson (in 1935)
composer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) and Mike Riley (US jazz trombonist & songwriter) (in 1935)
?:??
20I’m Putting All My Eggs in One Basket
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
?:??
21I Come From a Musical Family
recorded in:
New York, New York, United States (on 1936-04-28)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-28) and Henry “Moon” Jones (swing era reeds) (on 1936-04-28)
double bass:
George "Pops" Foster (on 1936-04-28)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-28)
guitar:
Lee Blair (on 1936-04-28)
piano:
Luis Russell (on 1936-04-28)
tenor saxophone:
Bingie Madison (on 1936-04-28) and Greely Walton (on 1936-04-28)
trombone:
Jimmy Archey (on 1936-04-28) and Snub Mosley (on 1936-04-28)
trumpet:
Gus Aiken (on 1936-04-28), Louis Armstrong (on 1936-04-28), Louis Bacon (on 1936-04-28) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-28)
vocals:
Louis Armstrong (on 1936-04-28)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-28)
?:??
22Swing That Music
recording of:
Swing That Music
lyricist and composer:
Louis Armstrong and Horace Gerlach
?:??
23Public Melody Number One
recording of:
Public Melody Number One
lyricist:
Ted Koehler
composer:
Harold Arlen
?:??
4▼CD: You Rascal You (75:06)
#TitleRatingLength
1Yours and Mine
recorded in:
New York, New York, United States (on 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-02) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-02)
double bass:
George "Pops" Foster (on 1937-07-02)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-02)
guitar:
Lee Blair (on 1937-07-02)
piano:
Luis Russell (on 1937-07-02)
tenor saxophone:
Bingie Madison (on 1937-07-02) and Albert Nicholas (on 1937-07-02)
trombone:
J.C. Higginbotham (on 1937-07-02), George Matthews (trombone) (on 1937-07-02) and George Washington (jazz trombonist) (on 1937-07-02)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-02), Louis Armstrong (on 1937-07-02), Louis Bacon (on 1937-07-02) and Shelton "Scad" Hemphill (on 1937-07-02)
vocals:
Louis Armstrong (on 1937-07-02)
edit of:
Yours and Mine (with pre-groove warm-up) by Louis Armstrong
recording of:
Yours and Mine (on 1937-07-02)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
?:??
2Alexander’s Ragtime Band
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
Alexander’s Ragtime Band (on 1937-07-07)
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
?:??
3I’ve Got a Heart Full of Rhythm
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
I’ve Got a Heart Full of Rhythm (on 1937-07-07)
?:??
4On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
?:??
5Satchel Mouth Swing
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Satchel Mouth Swing (on 1938-01-12)
writer:
Louis Armstrong and Mary Lou Williams (American jazz pianist and composer)
?:??
6Jubilee
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Jubilee (Hoagy Carmichael) (on 1938-01-12)
composer:
Hoagy Carmichael
?:??
7Struttin’ With Some Barbecue
recording of:
Struttin’ With Some Barbecue
composer:
Lil Hardin Armstrong
?:??
8I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
?:??
9Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
?:??
10Lazybones
recording of:
Lazy Bones
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
?:??
11Hear Me Talkin’ to Ya?
recording of:
Hear Me Talkin' to Ya
lyricist and composer:
Louis Armstrong
?:??
12Savoy Blues
recording of:
Savoy Blues
writer:
Kid Ory
?:??
13Wolverine Blues
recording of:
Wolverine Blues
lyricist:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) and John Spikes
composer:
Jelly Roll Morton
?:??
14Sweethearts on Parade
recording of:
Sweethearts on Parade
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
?:??
15Perdido Street Blues
recording of:
Perdido Street Blues
composer:
Lil Armstrong
?:??
162:19 Blues
recording of:
2.19 Blues
writer:
Mamie Desdume
?:??
17Down in Honky Tonk Town
recording of:
Down in Honky Tonk Town
writer:
Charles McCarron (in 1916) and Chris Smith (Ragtime composer) (in 1916)
?:??
18Coal Cart Blues
recording of:
Coal Cart Blues
writer:
Louis Armstrong, Lil Hardin Armstrong and Clarence Williams (US jazz pianist, composer, singer and bandleader)
?:??
19When It’s Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
?:??
20You Rascal You
?:??
21Back O’ Town Blues
recording of:
Back o’ Town Blues
writer:
Louis Armstrong and Luis Russell
?:??
22Do You Know What It Means to Miss New Orleans
recording of:
Do You Know What It Means to Miss New Orleans
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
?:??
23Where the Blues Were Born in New Orleans
recording of:
Where the Blues Were Born in New Orleans
writer:
Bob Carleton and Charlie Dixon (Jazz banjoist)
?:??
24Jack‐Armstrong Blues
recording of:
Jack‐Armstrong Blues
writer:
Louis Armstrong and Jack Teagarden
?:??
25Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
?:??