Musical Highlights on Broadway 4

~ Release by The New York Theater Orchestra with The Broadway Choir (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Memory
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
4:03
2I Know Him So Well
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
I Know Him So Well (Chess)
lyricist:
Tim Rice and Björn Ulvaeus
composer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Chess (full musical)
4:18
3I Don't Know How to Love Him
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
I Don’t Know How to Love Him
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) and Universal/MCA Music Ltd. (not for release label use!)
part of:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
3:40
4Let the Sunshine In
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
4:43
5Good Morning Starshine
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Good Morning Starshine (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
part of:
Hair (1967 musical)
2:27
6Send In the Clowns
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Send In the Clowns (A Little Night Music)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
4:21
7Sunrise Sunset
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Sunrise, Sunset (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
3:28
8Anything You Can Do (I Can Do Better)
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Anything You Can Do (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) (ended) and Irving Berlin Music Corp.
part of:
Annie Get Your Gun
2:56
9People Will Say We're in Love
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
People Will Say We’re in Love
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
4:25
10Someone to Watch Over Me
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:37
11Getting to Know You
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Getting to Know You (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
2:47
12My Funny Valentine
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
3:47