The AFL Footy Album: I’d Like to Hear That

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1All Fired Up
assistant engineer:
Clif Norrell
engineer:
Paul Lini
producer:
Keith Forsey (drummer, producer and songwriter) and Neil Giraldo
assistant mixer:
Tim Leitner
mixer:
Chris Lord‐Alge
bass guitar:
Fernando Saunders
drums (drum set):
Myron Grombacher
guitar:
Neil Giraldo
percussion:
Bo Castro
lead vocals:
Pat Benatar
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
All Fired Up
lyricist and composer:
Kerryn Tolhurst (Australian musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar54:29
2We Can’t Be Beaten
Rose Tattoo3:02
3Take a Long Line
The Angels3:01
4The Fall of Rome
James Reyne4:59
5Champagne Supernova
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set) and percussion:
Alan White (Oasis drummer)
electric guitar [lead guitar]:
Noel Gallagher
electric guitar [rhythm guitar]:
Paul Arthurs ("Bonehead", Oasis)
guest electric guitar [lead guitar] and guest background vocals:
Paul Weller (English singer‐songwriter and musician)
lead vocals:
Liam Gallagher (English musician, lead singer of Oasis)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
music videos:
Champagne Supernova by Oasis (Noel & Liam Gallagher)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 39) and Indie 88: Top 500 Indie Rock Songs (number: 174)
recording of:
Champagne Supernova
lyricist and composer:
Noel Gallagher
Oasis3.957:28
6A Thousand Miles Away
recording of:
1000 Miles Away
lyricist, writer and composer:
Dave Faulkner (David Faulkner)
Hoodoo Gurus4:28
7Chained to the Wheel
producer:
Jeff Burstin, Joe Camilleri and Tomie (producer)
bass guitar:
Mick Girasole
drums (drum set):
Peter Luscombe
percussion:
Alex Pertout
vocals:
Joe Camilleri
phonographic copyright (℗) by:
CBS Productions Pty. Limited (in 1988), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1988) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1988)
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia and RBX Studios in Melbourne, Victoria, Australia
recording of:
Chained to the Wheel
lyricist:
Nick Smith (Australian Guitar Player and Songwriter)
writer:
Joe Camilleri
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Orient Pacific Music Pty. Ltd. and Warner Chappell Music (publisher as Warner/Chappell Music)
The Black Sorrows3:56
8Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood4.24:50
9Hold Your Head Up
The Party Boys3:01
10Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:31
11What I Like About You
producer:
Peter Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Nemperor Records, Inc. (in 1979)
recorded at:
Coconut Recording in Miami, Florida, United States (in 1979-10)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 97) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 483)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter) and Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
Freaky Friday (2003)
The Romantics4.752:56
12Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.853:57
13Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonanno and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1985)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.73:48
14Winning
assistant engineer and assistant mixer:
Chris Minto (engineer)
engineer, producer and mixer:
Keith Olsen (US producer and engineer)
associate producer:
Devadip Carlos Santana
bass guitar:
David Margen (in 1980)
bongos:
Armando Peraza (in 1980)
congas:
Raul Rekow (in 1980)
drums (drum set):
Graham Lear (in 1980)
electric guitar [lead guitar]:
Devadip Carlos Santana (in 1980)
keyboard:
Alan Pasqua (in 1980)
percussion:
Devadip Carlos Santana (in 1980), Armando Peraza (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
synthesizer:
Richard Baker (US keyboardist for Santana) (in 1980)
timbales:
Orestes Vilató (in 1980)
background vocals:
Alexander J. Ligertwood (in 1980), Devadip Carlos Santana (in 1980), Alan Pasqua (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
lead vocals:
Alexander J. Ligertwood (in 1980)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
The Automatt in San Francisco, California, United States (in 1980)
mixed at:
Sound City Studios in Van Nuys, California, United States
cover recording of:
Winning (in 1980)
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Santana3:30
15April Sun in Cuba
electric bass guitar:
Todd Hunter (Todd Stuart Hunter of Dragon)
guitar:
Robert Taylor (Singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
lead vocals:
Marc Hunter
vocals:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) and Robert Taylor (Singer-songwriter and guitarist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1977), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1977) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1977)
recording of:
April Sun in Cuba
composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. and Essex Music of Australia Pty. Ltd.
part of:
APRA Top 100 New Zealand Songs of All Time (number: 10)
Dragon3:28
16Bat out of Hell
Meat Loaf9:50
2CD