60s Psychedelic Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.554:58
2Mama Told Me (Not to Come)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 11)
cover recording of:
Mama Told Me (Not to Come)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. and Warner/Chappell North America
Three Dog Night4.653:20
3Venus in Furs
recording engineer:
Omi Haden
producer:
Andy Warhol (American artist)
recording of:
Venus in Furs
lyricist and composer:
Lou Reed
The Velvet Underground4.455:08
4Just Dropped In (to See What Condition My Condition Was in)
The First Edition3:21
5Magic Carpet Ride
producer:
Gabriel Mekler
recording of:
Magic Carpet Ride
writer:
John Kay (lead singer of Steppenwolf) and Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. and Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:27
6Dear Mr. Fantasy
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1967-04 until 1967-11)
recording of:
Dear Mr. Fantasy (in 1967)
lyricist:
Jim Capaldi
composer:
Steve Winwood and Chris Wood (rock musician, member of Traffic)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Traffic55:37
7Run Through the Jungle
producer:
John Fogerty
drums (drum set):
Doug Clifford (in 1969)
electric bass guitar:
Stu Cook (in 1969)
electric guitar:
John Fogerty (in 1969) and Tom Fogerty (in 1969)
lead vocals:
John Fogerty (in 1969)
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recording of:
Run Through the Jungle (in 1970-03)
lyricist and composer:
John Fogerty
publisher:
Creeping Ritual, Jondora Music, Prestige Music (US drum & bass) and Prestige Music ltd.
Creedence Clearwater Revival4.153:04
8Good Vibrations
producer:
Brian Wilson (Beach Boys co‐founder)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.753:39
9Can’t Find My Way Home
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
bass:
Ric Grech (in 1969-06)
drums (drum set):
Ginger Baker (in 1969-06)
guitar:
Eric Clapton (in 1969-06) and Steve Winwood (in 1969-06)
vocals:
Steve Winwood (in 1969-06)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1969-06)
recording of:
Can’t Find My Way Home (in 1969-06)
lyricist and composer:
Steve Winwood
publisher:
F.S. Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Ltd. (1996–2019)
Blind Faith43:16
10Incense and Peppermints
producer:
Frank Slay
recording of:
Incense and Peppermints
additional writer:
Ed King (US guitarist, bassist & songwriter) and Mark Weitz (keyboardist)
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Tim Gilbert
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:47
11Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.42:35
12Psychotic Reaction
recorded in:
Los Angeles, California, United States (in 1966)
producer:
Joe Hooven and Hal Winn
bass:
Roy Chaney (in 1966)
drums (drum set):
Craig “Butch” Atkinson (in 1966)
guitar:
John “Sean” Byrne (in 1966) and John “Mouse” Michalski (in 1966)
harmonica:
Kenn Ellner (in 1966)
lead vocals:
John “Sean” Byrne (in 1966)
performer:
Count Five and The Countdown Singers (sound-alike cover band associated with the Madacy labels)
recording of:
Psychotic Reaction (in 1966)
composer:
Craig “Butch” Atkinson, John “Sean” Byrne, Roy Chaney, Kenn Ellner and John “Mouse” Michalski
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Lovolar Music
Count Five53:05
13Sunshine of Your Love
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 65) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (from 1967-04 until 1967-05)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Cream4.354:10
14Baby Blue
The Chocolate Watch Band3:12
15Nights in White Satin (single version)
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.554:25
16(We Ain’t Got) Nothing Yet (album version)
producer:
Art Polhemus and Bob Wyld (independent producer based in New York City)
recording of:
(We Ain’t Got) Nothin’ Yet
writer:
Emil Thielhelm, Mike Esposito (guitarist in the Blues Magoos), Ronnie Gilbert (bass player for the Blues Magoos) and Ralph Scala
publisher:
Musicville Ltd.
Blues Magoos42:16
17The Old Man’s Back Again (Dedicated to the Neo‐Stalinist Regime)
engineer:
Keith Grant (classical recording engineer) and Adrian Kerridge
producer:
John Franz
recording of:
The Old Man’s Back Again (Dedicated to the Neo‐Stalinist Regime)
writer:
Scott Engel (singer‐songwriter, musician and producer)
Scott Walker33:43
18San Francisco Girls (Return of the Native)
Fever Tree4:02
19The Other Song
Spirit5:30
20Sunday Morning
recording engineer:
Omi Haden
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
background vocals:
Nico (Christa Päffgen, German singer, fashion model, actress)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1967)
recording of:
Sunday Morning
lyricist:
Lou Reed
composer:
John Cale (The Velvet Underground founder) and Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground4.152:53
21Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969) and Transtone Productions (in 1970)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.054:02
22Walk Away
engineer:
Kenneth Hamann (engineer), Bill Szymczyk and Eddie Youngblood
producer:
James Gang (US rock group) and Bill Szymczyk
bass:
Dale Peters (in 1970)
drums (drum set):
Jim Fox (American percussionist) (in 1970)
guitar and lead vocals:
Joe Walsh (Eagles/James Gang) (in 1970)
recording of:
Walk Away (in 1970)
lyricist and composer:
Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI) and Universal Duchess Music Corp.
James Gang23:34
23I Just Wasn’t Made for These Times
engineer:
Larry Levine (on 1966-02-14) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
bass clarinet:
Jay Migliori (on 1966-02-14)
bass harmonica:
Tommy Morgan (Harmonica player) (on 1966-02-14)
clarinet:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-14) and Bobby Klein (on 1966-02-14)
double bass:
Chuck Berghofer (Jazz bassist) (on 1966-02-14)
drums (drum set) and timpani:
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-02-14)
electric bass guitar:
Ray Pohlman (on 1966-02-14)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-14) and Barney Kessel (on 1966-02-14)
harpsichord:
Mike Melvoin (on 1966-02-14)
percussion [cups] and temple blocks:
Frank Capp (on 1966-02-14)
piccolo:
Plas Johnson (on 1966-02-14)
tack piano:
Don Randi (on 1966-02-14)
theremin [electro-theremin]:
Paul Tanner (on 1966-02-14)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-02-14) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
remix of:
I Just Wasn’t Made for These Times (mono) by The Beach Boys (American rock band)
recording of:
I Just Wasn’t Made for These Times (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys33:22
24Feelin’ Alright?
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1968-01 until 1968-05) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1968-01 until 1968-05)
recording of:
Feelin’ Alright
lyricist and composer:
Dave Mason (co‐founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Traffic34:18
25Fresh Air (remastered)
recording of:
Fresh Air
lyricist and composer:
Jesse Oris Farrow
writer:
Dino Valenti
Quicksilver Messenger Service5:19
26A Certain Kind
recording of:
A Certain Kind
lyricist and composer:
Hugh Hopper (British bassist)
Soft Machine34:13
27The Pusher
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968)
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States (in 1967)
cover recording of:
The Pusher (in 1967)
lyricist and composer:
Hoyt Axton
publisher:
Lady Jane Music, Warner Chappell Music (publisher as Warner/Chappell Music), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf45:49
28Light Up or Leave Me Alone
producer:
Steve Winwood
recording of:
Light Up or Leave Me Alone
writer:
Jim Capaldi
publisher:
Universal PolyGram International (SESAC)
Traffic4:48
29Rainy Day Mushroom Pillow
recording of:
Rainy Day Mushroom Pillow
writer:
Steve Bartek and George Bunnell (bassist and singer)
Strawberry Alarm Clock43:07
30All Your Love
engineer:
Gus Dudgeon
producer:
Mike Vernon
bass guitar:
John McVie (in 1966-04)
drums (drum set):
Hughie Flint (in 1966-04)
electric guitar:
Eric Clapton (in 1966-04)
organ:
John Mayall (in 1966-04)
vocals:
John Mayall (in 1966-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966)
cover recording of:
All Your Love (I Miss Loving) (in 1966)
lyricist and composer:
Otis Rush
publisher:
BMG Platinum Songs US and Conrad Music (publisher; do NOT use as release label)
John Mayall & the Bluesbreakers33:33
31Why Are We Sleeping?
recording of:
Why Are We Sleeping? (Soft Machine song)
lyricist:
Kevin Ayers
composer:
Kevin Ayers, Mike Ratledge and Robert Wyatt (Canterbury scene)
publisher:
Rough Trade Publishing
Soft Machine35:31
32Who Do You Love (Pt. 1)
bass:
David Freiberg
guitar:
John Cipollina and Gary Duncan (guitarist with Quicksilver Messenger Service)
membranophone:
Greg Elmore (drummer for Quicksilver Messenger Service)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
live partial cover recording of:
Who Do You Love? (in 1968)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Quicksilver Messenger Service43:35
3330 Century Man
recording engineer:
Peter Olliff
producer:
John Franz
recording of:
30 Century Man
writer:
Scott Engel (singer‐songwriter, musician and producer)
Scott Walker3.51:26
34Presence of the Lord
engineer:
Andy Johns
producer and mixer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
bass:
Ric Grech (in 1969-02)
drums (drum set):
Ginger Baker (in 1969-02)
guitar:
Eric Clapton (in 1969-02)
keyboard:
Steve Winwood (in 1969-02)
vocals:
Steve Winwood (in 1969-02)
arranger:
Robert Stigwood
phonographic copyright (℗) by:
RSO Records Ltd. (in 1969), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1969) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-02)
recording of:
Presence of the Lord (in 1969-02)
lyricist and composer:
Eric Clapton
publisher:
Casserole Music Corp., Throat Music Ltd., Warner/Chappell Music International Ltd. and Throat Music (in 1973)
Blind Faith3.354:47
35Hot Burrito #1
recording of:
Hot Burrito No.1
composer:
Chris Ethridge and Gram Parsons
publisher:
Irving Music, Inc.
The Flying Burrito Brothers3:37
36Who Knows Where the Time Goes?
engineer:
John Wood (US sound engineer and producer)
producer:
Joe Boyd (US producer, founder of Hannibal Records), Fairport Convention (English folk rock band) and Simon Nicol (singer, multi-instrumentalist and producer from England)
bass:
Ashley Hutchings
drums (drum set):
Martin Lamble
vocals:
Sandy Denny
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2003)
recording of:
Who Knows Where the Time Goes? (from 1969-01 until 1969-04)
lyricist and composer:
Sandy Denny
publisher:
Irving Music (BMI), Strawberry Music (Strawbs) and Winckler Musikforlag
Fairport Convention4.35:08
37Wind Chimes
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Mark Linett
mixer:
Mark Linett
recording of:
Wind Chimes
composer:
Van Dyke Parks and Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys3.52:38

Credits